Udgivelsen er derudover gæstet af Theis Bror fra Analogik på saxofon og akkom-pagneret med scratch af Kruzh’em.Īlle vinyler indeholder eksklusivt hæfte m. Vokalerne er leveret af Simon Hadberg Bach og Tue Kappel. I samarbejde med producerne Kruzh’em og Asynkron som er kendte for deres electro, ambi-ent og IDM produktioner, har de tilsammen skabt et lydunivers som på den ene side lyder genkendeligt og på den anden side som noget du aldrig har hørt før på en dansk hiphop-udgivelse.įor at servere og opsummere det hele i én mundret bid, skal du lytte til ænigma hvis du er til rim ala Aesop Rock og beats ala Dopplereffekt og Autechre.ĭeres debut LP med titlen ”altialt” som trykkes på limiteret hvid vinyl i 100 eksemplarer. I forsøget på at sætte finger på de ting i tilværelsen der ellers er svære at sætte finger på og finde mening i de ting der er svære at finde mening i, efterlader de to ver-semagere lytteren med lysten til at vide mere. Teksterne omhandler det eksistentielle og er en direkte afspejling af personerne bag og de-res tankegange.
Samtidig leverer de et gennemar-bejdet flow, hvor hver eneste sætning og ordlyd er velorkestreret, hvilket giver et gennemført og kompromisløst udtryk.
#Teriyaki boyz tokyo drift tin whistle mod#
Deres tekstunivers er et af de mest fantasifulde og særegne på den danske musikscene, da de har et mod og en evne til konstant at være gådefulde, my-stiske og uforudsigelige i deres rimstrukturer og metaforer. Ænigma er en ny dansksproget HipHop-gruppe der bryder med tidens tendenser indenfor genren og går sine egne veje. This 2LP collection presents exclusive instrumental versions of songs originally released on the Jazz Is Dead albums: Roy Ayers JID002, Marcos Valle JID003, Gary Bartz JID006 and Joa~o Donato JID007.Ī4: Aquarius (Bring Her Back Home To Me) Featuring With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.” Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Plugs 2 expands upon that mindset the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG-and never looking back. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick The Plugs I Met 2. Mere months after releasing an undisputed AOTY contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. “This allows us to venture further out than ever before, because we know that things typically fall into place.” “We felt a greater freedom this time around because we now have a much deeper understanding and grounding in what we’re doing,” says Bremer. Natten, which means “The Night” in Danish, draws inspiration from the end of day, that regenerative time under the constellations when our lives look different. When they write music, they aim for direct transmission-idea straight to composition. That’s why they go through the trouble of carrying their own equipment, and it’s why they record analog. For Bremer/McCoy, making music is all about what happens in the room. It’s hard to imagine that that’s how they started when you listen to the ethereal sounds they make now, but the influence becomes clearer when you see them live: they insist on traveling with their own sound system.
McCoy and the bassist Jonathan Bremer started making music together back in 2012 when they were still in school. Pure gratitude for simply being, without all kinds of jibber-jabber filling my thoughts.” A sentiment that tells you everything about the feeling and nothing about the sound. “When it works for me,” says pianist Morten McCoy, “it’s pure meditation, pure prayer. Bremer/McCoy recorded straight to tape so that they had as little time as possible to think about it. What were they up to? Nobody could tell-not even them.
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